October 05, 2017

ENGLISH LITERATURE 1590-1798 - CHRISTOPHER MARLOWE’S DOCTOR FAUSTUS


ENGLISH LITERATURE 1590-1798 - CHRISTOPHER MARLOWE’S DOCTOR FAUSTUS ENGLISH LITERATURE 1590-1798 - CHRISTOPHER MARLOWE’S DOCTOR FAUSTUS

Christopher Marlowe’s Doctor Faustus

Christopher Marlowe’s The Tragical History of Doctor Faustus (c. 1592) is one of the most significant plays of the English Renaissance and a cornerstone of Elizabethan drama. Based on the German legend of Faust, a scholar who sells his soul to the devil in exchange for knowledge and power, Marlowe’s play explores themes of ambition, sin, and damnation, reflecting the religious and intellectual tensions of the time.
Plot and Themes

The play follows Dr. Faustus, a brilliant but discontented scholar who, frustrated by the limits of human knowledge, turns to necromancy. He makes a pact with Mephistopheles, the devil’s servant, exchanging his soul for 24 years of unlimited power and pleasure. Despite warnings from the Good Angel and his own conscience, Faustus embraces his damnation, indulging in magical feats and worldly pleasures. However, as his time runs out, he is consumed by fear and regret, ultimately dragged to hell in a harrowing climax.

Central to the play is the theme of hubris—Faustus’s overreaching ambition mirrors the Renaissance ideal of human potential but also its dangers. His rejection of God’s grace in favor of forbidden knowledge reflects the tension between medieval religious morality and emerging Renaissance humanism. Marlowe critiques Faustus’s pride while also portraying him as a tragic figure, torn between repentance and despair.
Mephistopheles and the Nature of Evil

Mephistopheles is a complex figure—both a tempter and a sorrowful being who understands the horrors of hell. His presence underscores the play’s theological concerns: Faustus’s damnation is not just a punishment but a consequence of his own choices. The play questions whether Faustus is truly free or predestined to fall, a debate rooted in Protestant theology.
The Role of Magic and Spectacle

Magic in Doctor Faustus serves as both a symbol of forbidden knowledge and a theatrical device. Marlowe’s use of spectacle—such as Faustus summoning spirits or conjuring visions of Helen of Troy—heightens the play’s dramatic tension. The comic scenes, often involving Faustus’s servant Wagner and a clownish stable-hand, provide contrast but also reinforce the moral message about folly and sin.
Faustus’s Final Soliloquy

The play’s most powerful moment is Faustus’s final soliloquy, where he realizes too late the futility of his bargain. His desperate plea for time to stop—"O lente, lente currite, noctis equi!"—captures the terror of impending damnation. Unlike traditional morality plays, which offer clear moral lessons, Marlowe’s tragedy leaves the audience with a sense of unresolved despair, questioning whether Faustus could have been saved.
Legacy

Doctor Faustus remains a seminal work, influencing later texts like Goethe’s Faust and shaping literary depictions of ambition and the supernatural. Marlowe’s poetic grandeur, psychological depth, and exploration of existential themes make the play a timeless study of human nature’s darker dimensions.

In conclusion, Doctor Faustus is a profound exploration of ambition, free will, and divine justice, blending Renaissance intellectualism with medieval moralism. Marlowe’s tragic vision continues to resonate, reminding audiences of the perilous cost of unchecked desire.